From digital workstations to analog modeling, zZounds has the keyboard synthesizer you need to create the sound you want. Call our Gear Experts now for help with your purchase: 800-460-8089. Behringer Odyssey Analog Synthesizer Synth w/32 Keys + Audio-Technica Headphones See more like this. Behringer K-2 Analog/Semi-Modular Synthesizer Synth w/ 2 VCOs & 16-Voice Poly. 5.0 out of 5 stars. 1 product rating - Behringer K-2 Analog/Semi-Modular Synthesizer Synth w/ 2 VCOs & 16-Voice Poly. Behringer’s 2600 remake may have just recently been released but the company is not content to let that be that. This week, they announced two new editions, the Blue Marvin and Gray Meanie. Both are inspired by early (and very limited) revisions of ARP’s classic semi-modular synthesizer, the 2600. For sale: Ultra-rare vintage official '70s ARP Odyssey synth patch-chart overlay templates. 3 sound presets: 'Wow', the optimistic 'strings' and the wonderfully evocative 'Cosmic Waterfall'. These patch-overlays came with a 1970s Mk2 'blackface' Oddy and sat in a flightcase for years. Also Behringer has their synth tools software that allows you to do the sequencing in the computer which is really easy is, however is not a Realtime sequencer editor (which means you can't have the sequencer running and tap the notes on the computer and automatically hear the changes in Realtime) you draw the notes and then press the 'store' button in order for the computer to send the changes to.
Behringer have recently announced a number of new releases, from new versions of their 2600 remake to a resurrection of their own classic hardware controller, the BCR2000.
Blue Marvin and Gray Meanie 2600 Editions
Behringer’s 2600 remake may have just recently been released but the company is not content to let that be that. This week, they announced two new editions, the Blue Marvin and Gray Meanie. Both are inspired by early (and very limited) revisions of ARP’s classic semi-modular synthesizer, the 2600. The new Behringer monosynths will reportedly include adjustable single-colour LEDs on the faders, a real spring reverb inside (as opposed to their original’s DSP), and improved components alongside the obvious new front-panel colours.
Both the Blue Marvin and Gray Meanie will retail for $699, $100 more than the base-model 2600 (and quite a bit cheaper than Korg’s recently announced ARP 2600 M). They are expected to start shipping in February 2021.
Behringer’s original hardware controller BCR2000 is something of a classic, thanks in no small part to the third-party sequencer upgrade known as Zaquencer. Behringer have now announced that they’ll be working with upgrade programmer ZAQ Audio to create a new controller/sequencer, the BCR32. It looks to have 32 knobs as well as MIDI in/out/thru and four sets of CV/gate sockets, indicating four tracks.
Behringer are promising a price point of $149. There is no indication of ship date yet.
Behringer recently shared prototype images of its long-promised VCS3 clone. It looks remarkably like the original with its famous pin matrix and colourful knobs. It reportedly will feature real wood as well as a mechanical spring reverb, as in the new 2600 editions. Behringer claim to be working with a well-known VCS3 modder from the UK to add extra functionality. As it’s still in the prototype stage, there’s no mention of a price or street date.
Lastly, Behringer teased an image on Facebook of a new prototype synthesizer. While much of the instrument is covered with streamers and paper hats for New Years, the word “Kobol” is clearly visible on a badge on the upper right of the keyboard. That would be the RSF Kobol, a rare and rather coveted French monosynth from 1978. The synth appears to have the same configuration as Behringer’s recent Poly D and MonoPoly instruments. No pricing or release information is yet available.
See the Behringer site for more.
|Oscillator||1 VCO with 3 simultaneously mixable|
waveforms : Pulse with PWM, Saw and
Sub wave (selectable -1 Oct. Square,
-2 Oct. Square or -2 Oct Pulse)
The Pulse wave can be modulated by
LFO, by Envelope or manually
Noise is also available at the oscillator
|LFO||1 LFO: triangle, square, random|
and noise waveforms
|Filter||1 resonant VCF, modulated with|
ADSR, LFO, keyboard tracking
and/or bender controller
|Attenuator||ADSR envelope, triggered by|
gate or LFO
|Storage memory||100 step sequencer|
|Effects||Arpeggiator (up, down, up/down)|
|Left-hand control||Bender assignable to VCF frequency|
and/or pitch as well as pitch bend and
mod wheels on attachable handle
The Roland SH-101 is an analog synthesizer manufactured by the Roland Corporation between 1982 and 1986. Though it was a commercial failure, it became a staple of electronic music in the 1990s, particularly house music.
Sound and features
The SH-101 is monophonic, meaning it can only play one note at a time. It has a single oscillator and a sub-oscillator, a low-pass filter, a mixer allowing users to blend different waveforms plus a noise generator, and an arpeggiator and sequencer. An ADSR envelope generator controls the filter and VCA, and the filter, VCA, pitch and pulse width can be controlled with an LFO. Users can attach an optional handgrip with modulation controls and shoulder strap to play the SH-101 as a keytar, and it could also be powered via battery. According to MusicRadar, the SH-101 has 'snappy and razor-sharp' bass, 'squelchy and expressive' leads, and a 'piercing yet smooth' filter.
The SH-101 launched in the US at $495 and in UK at £249, making it much more affordable than the popular digital synthesisers of the time. Roland marketed the SH-101 to the emerging keytar market, with magazine slogans such as 'freedom for expression' and “[the 101] takes you where you want to go'. However, it was outsold by the digital Yamaha DX7 and was discontinued in 1986.
During the 1990s resurgence of analogue synthesisers, the 101 became a staple in dance music studios. It was used by many famous electronic musicians.
In 2014, MusicRadar wrote: 'Some inexpensive synths were brilliant 'for the price'. The Roland SH-101 was brilliant, period. Never a rock star's instrument like the Minimoog or Prophet-5, the 101 was a synthesiser for the rest of us, and a damned fine one, too.' In 2016, Fact named the SH-101 one of the 14 most important synthesisers in history.
Behringer Model D Firmware
Famous musicians that have used the SH-101 include:
Nitzer Ebb,Aphex TwinVince Clarke of Erasure, Paul Frick from Tangerine Dream, Future Sound of London, Orbital, Überzone, The Prodigy,808 State,The Grid, Cirrus, Eat Static, Jimmy Edgar, Apollo 440, Devo, Union Jack, Luke Vibert, Dirty Vegas, Skinny Puppy, Pig, Josh Wink, The Crystal Method, Astral Projection,Les Rythmes Digitales, Sense Datum, Squarepusher, KMFDM, Freddy Fresh, Lab-4, The Chemical Brothers, Boards of Canada, The Knife and many others.
In 2018, Roland introduced the Boutique SH-01A, a virtual analog synth, based on their Analog Circuit Behavior (ACB) technology. It is available with or without a keyboard.
In 2019, Behringer started producing a clone of SH-101 called MS-101, since the Roland patent had expired. The layout and sound is very close to the original, with the addition of enhancements such as MIDI and USB.
In 2019, Superlative Instruments launched a Kickstarter campaign to produce the SB-1 Space Bee, very similar in layout to the SH-101 with a unique keyboard design and all keys and keyboard in dark gray.
Behringer Synth Clones
In June 2020, Roland released Zenology plugins for Roland synths, which includes an SH-101 emulator. Roland claims it is an ultra-detailed replica.
Behringer Analog Synthesizer
Other software emulators include Togu Audio Line TAL-Bassline-101, D16 Group LuSH-101, and Togu Audio Line TAL-Bassline (a free limited version of the other Togu app).
Behringer Synth Tribe
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